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The music from Mickey and the Magician: Let the magic shine !

ā€œThere are reactions that donā€™t deceive. As soon as I heard the first notes of Mickey and the Magician, I felt shivers running through my body,ā€ recalls InsidEar Virginie (Ninie) Revelle. ā€œAfter only 30 seconds, the emotion was already thereā€.

ā€œThis music is so emotionalā€, adds Liz Read (Fairy Godmother on You Tube and Instagram), ā€œthat it makes me cry every timeā€.

But what makes the music ofĀ Mickey and the MagicianĀ soā€¦ magical?

A Little Magic and Fairy Dust

Mickey and the Magician,Ā an original story created in July 2016 especially for Disneyland Paris, takes us back to the sources for Disney magic. Here we go back in time to the early 19th century in Paris, to the mysterious workshop of a great Magician, whose Assistant Apprentice is none other than Mickey. While he is tidying up the place, our young Apprentice is going to let himself be carried away by his thirst to learn magic.

However, nothing will go as planned and in spite of himself, he will be transported into the most magical worlds of Disney films, from Cinderella to Frozen, and too, Beauty and the Beast, Aladdin and The Lion King. Strengthened by the teachings delivered to him during his encounters, he will find the secret of true magic, the one that resides in each and every one of usā€¦

Music plays a crucial role in Mickeyā€™s initial journey. As Niels of Capturing Disney Parks site explains, Mickey and the Magicianā€™s original soundtrack ā€œpresents songs that are revisited in the spirit of Broadway musicals and that are familiar to all of us from our favorite Disney filmsā€¦ā€.

The creator of this sumptuous score is none other than Joel McNeely, known particularly for the music inĀ Peter Pan 2: Return to NeverlandĀ (2002), theĀ TinkerbellĀ series, and the night showĀ Disney Dreams (2012).

For the composer, the project began during work sessions where all the showā€™s creators including choreographer Tatiana Seguin (who couldnā€™t help but dance as soon as she heard his first music propositions), were brought together.

Eternal Songs

The fact is that dance is at the heart of the show and each scene, the composer has come up with new and particularly catchy arrangements for classic Disney tunes.

ā€œBibbidi-Bobbidi-Booā€ became a festive march worthy of an operetta by Jacques Offenbach and ā€œA Dream is a Wish your Heart Makesā€ took on waltz accents a la Johann Strauss.

ā€œBe our Guestā€ begins with a nod to France via the accordion, before transforming into the type of music that fills us with joy during circus shows, and whose orchestration is sometimes reminiscent of Julius Fucikā€™sĀ Entry of the GladiatorsĀ or sometimes of the music Nino Rota wrote for films such asĀ La StradaĀ or Federico Felliniā€™s 8 Ā½ , classics of the genre.

The arrangements for ā€œThe Circle of Lifeā€ and ā€œBusaā€ are rooted in both the 1994 animated classic and the musical, with extensive use of percussions and flutes from around the world.

And for Aladdinā€™s ā€œFriend Like Meā€ scene, creators opted for a tap dance choreographed by James Doubtfire. Alan Menkenā€™s original music for this sequence happens to be a tribute to Cab Calloway and Fats Waller, two jazz legends where the music naturally lends itself to this type of dance, as seen inĀ Stormy WeatherĀ (1943) orĀ Living in a Big WayĀ (1935). There on, Joel McNeely came up with this upbeat arrangement, adding a ā€œjungle-typeā€ touch, decipherable by his typical playing on the bass toms of the drums.

ā€œLet it Goā€ is the only piece not to contain a dance number. The composer has thus remained close to the legendary orchestration written by Dave Metzger for the film.

To intensify all these orchestral tones, exceptional musicians were needed. Thatā€™s why the soundtrack of the show was recorded by the finest English musicians in the famous Abbey Road Studios in London.

Like the flicker of a sparkā€¦

Mickey and the Magicianā€™s music is not just about revisiting classics. As Niels further explains, ā€œThe show has its own musical theme that perfectly unites the different scenesā€.

The theme song ā€œLet the Magic Shineā€, was written by Brendan Milburn and Valerie Vigoda, who had already written several songs for the Tinkerbell franchise, and had participated in the writing of ā€œVive la Vieā€, the song from Mickeyā€™s Halloween Celebration. As for arrangements, it is the work of Scott Erickson, who wrote many songs for Disneyland Paris, and who also participated in the writing of ā€œVive la Vieā€. For ā€ Let the Magic Shine ā€œ, he imagined a grand crescendo, starting from soft, sparkling sounds to gradually reach a rich and festive ensemble, with brass and pop percussions, to end the show in beauty.

This version was then entrusted to Joel McNeely, who used this theme as a common thread throughout the show, transforming the piece as the story unfolds. It is heard for the first time at the very beginning, in the form of a ballad being sung while Tinker Bell explores the Magicianā€™s workshop. Then it appears instrumentally in various dialogue sequences, either with refrains played in staccato form, or in ā€œunderscoringā€ form, unobtrusively accompanying the dialogue and staging, a bit like in a film, before the grand finale.

As you can grasp, from the numbers sung to the main theme song, the music from ā€œMickey and the Magicianā€ are true artworks ā€¦And it is all these pieces that make this show ā€œMagical from beginning to endā€, as the blogger Lady Thumper says, ā€œLike a spark that has ā€œthe power to fill our hearts with hopeā€.

Kinai

Disney and me, it's a long love story. I fell into it as a child and never got out. From movies to theme parks, through the history of the Walt Disney Company, to comic books, everything fascinates me.

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